Der Hofmeister von J. M. R. Lenz : Ein Versuch Einer Neuinterpretation
Angela L. Hansen
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New York’s Yiddish Theater : From the Bowery to Broadway
Edna Nahshon
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Fearless Femininity by Women in American Theatre, 1910s to 2010s
Lynne Greeley
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Michael Chekhov’s Acting Technique : A Practitioner’s Guide
Sinead (Central School of Speech and Drama, UK) Rushe
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The Projection Designer’s Toolkit
Jeromy (Eastern Michigan University, USA) Hopgood
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Thomas Holcroft’s Revolutionary Drama : Reception and Afterlives
Amy Garnai
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£134.00
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Pina Bausch’s Aggressive Tenderness : Repurposing Theater through Dance
Telory D. Arendell
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Young Shakespeare’s Young Hamlet : Print, Piracy, and Performance
T. Bourus
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Montazstroj’s Emancipatory Performance Politics : Never Mind the Score
Leo Rafolt
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£89.00
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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Robert Lepage’s Scenographic Dramaturgy : The Aesthetic Signature at Work
Melissa Poll
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Lessons from Shakespeare’s Classroom : Empowering Learning Through Drama and Rhetoric
Robin Lithgow
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Revisiting Shakespeare’s Lost Play : Cardenio/Double Falsehood in the Eighteenth Century
Deborah C. Payne
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America’s First Regional Theatre : The Cleveland Play House and Its Search for a Home
J. Ullom
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The Costume Supervisor’s Toolkit : Supervising Theatre Costume Production from First Meeting to Final Performance
Rebecca Pride
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Lettre a M. d'Alembert sur les spectacles
Rousseau Jean-Jacques 1712-1778
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Lettre a M. D'Alembert sur les Spectacles
Lucien Brunel Jean-Jacques Rousseau
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The Choreopolitics of Alain Platel's les ballets C de la B : Emotions, Gestures, Politics
Professor Christel Stalpaert
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Blood on the Stage, 480 B.C. to 1600 A.D. : Milestone Plays of Murder, Mystery, and Mayhem
Amnon Kabatchnik
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£115.00
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