From Stage to Studio : Performances versus Recordings in Classical Music
Amy (Royal Academy of Music, UK) Blier-Carruthers
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Sound Heritage : Making Music Matter in Historic Houses
Jeanice Brooks
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Shaping Sound and Society : The Cultural Study of Musical Instruments
Stephen (City, University of London, UK) Cottrell
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Current Directions in Ecomusicology : Music, Culture, Nature
Aaron S. Allen
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Music, Performance, and the Realities of Film : Shared Concert Experiences in Screen Fiction
Ben Winters
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Global Percussion Innovations : The Australian Perspective
Louise Devenish
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Preserving Popular Music Heritage : Do-it-Yourself, Do-it-Together
Sarah Baker
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Opera in a Multicultural World : Coloniality, Culture, Performance
Mary Ingraham
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Musical Performance and the Changing City : Post-industrial Contexts in Europe and the United States
Fabian Holt
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The Modern Percussion Revolution : Journeys of the Progressive Artist
Kevin Lewis
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Music, Performance, and the Realities of Film : Shared Concert Experiences in Screen Fiction
Ben Winters
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Popular Music in a Digital Music Economy : Problems and Practices for an Emerging Service Industry
Tim Anderson
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Liveness in Modern Music : Musicians, Technology, and the Perception of Performance
Paul Sanden
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Music and Performance in the Book of Hours
Michael Alan Anderson
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Burma, Kipling and Western Music : The Riff from Mandalay
Andrew Selth
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