Let's Talk about Critique : Reimagining Art and Design Education
Elissa Armstrong
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Images of Childhood : A Visual History From Stone to Screen
Professor Emeritus Paul (University of Illinois, USA, and Univ Duncum
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Art in Theory 1815-1900 : An Anthology of Changing Ideas
Charles (Open University) Harrison
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Why We Make Art : And Why it is Taught
Richard (University of Cambridge, UK) Hickman
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The New Art History : A Critical Introduction
Jonathan (Universiity for the Creative Arts, UK) Harris
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The Gothic
David (University of Bristol) Punter
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Beyond Objecthood : The Exhibition as a Critical Form since 1968
James (Dean of Fine Arts, California College of the Arts) Voorhies
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Uses of Heritage
Laurajane (The University of York, UK) Smith
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Melodies of the Mind : Connections between psychoanalysis and music
Julie (Graduate of The Juilliard School, New York, USA; Jaffee Nagel
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Mary Kelly's Concentric Pedagogy : Selected Writings
Mary (Judge Widney Professor at the USC Roski School of Art and Kelly
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MATERIAL WITNESS : Media, Forensics, Evidence
Susan (Senior Research Fellow, Goldsmiths, University of Lon Schuppli
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Immaterial : Rules in Contemporary Art
Sherri (Presidential Research Professor of Philosophy and Senio Irvin
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Langford's Starting Photography : The Guide to Creating Great Images
Philip (professional photographer with over 25 years of exper Andrews
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The Aesthetic Imperative : Writings on Art
Peter ( Karlsruhe School of Design) Sloterdijk
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Sociopolitical Aesthetics : Art, Crisis and Neoliberalism
Kim (The Open University, UK) Charnley
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The Life of Forms in Art : Modernism, Organism, Vitality
Dr Brandon (Professor Emeritus of History of Art, University o Taylor
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Theatrical Makeup : Basic Application Techniques
Sharon (Professor of Theatre and Costume Design, University of Sobel
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Women Can't Paint : Gender, the Glass Ceiling and Values in Contemporary Art
Helen (Royal Academy of Arts, UK) Gorrill
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Deleuze and Art
Anne (niversity of Paris, Nanterre, France) Sauvagnargues
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Weather as Medium : Toward a Meteorological Art
Janine (Auckland University of Technology) Randerson
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The Psychology of Visual Art : Eye, Brain and Art
George (University of Lincoln) Mather
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