Censored Art Today
Gareth Harris
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Restitution : The Return of Cultural Artefacts
Alexander Herman
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The Rise and Rise of the Private Art Museum
Georgina Adam
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How to Be a Creative Thinker
Roya A Azadi
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The Art Fair Story : A Rollercoaster Ride
Melanie Gerlis
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Curating Art Now
Lilian Cameron
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Reasons to be Hopeful : what remains consoling, inspiring and beautiful
The School of Life
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China and the World since 1945 : An International History
Peter Schat
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The Senses in Performance
Sally (University of Wisconsin-Madison, USA) Banes
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The Senses in Performance
Sally (University of Wisconsin-Madison, USA) Banes
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China and the World since 1945 : An International History
Chi-kwan Mark
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The Grotowski Sourcebook
RICHARD (Tisch School of the Arts, NYU, USA) SCHECHNER
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The International Politics of Fashion : Being Fab in a Dangerous World
Andreas Behnke
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The Sociality of Indigenous Dance in Alaska : Happiness, Tradition, and Environment among Yupik on St. Lawrence Island and Inupiat in Utqiagvik
Hiroko Ikuta
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Season Paper Collection : 100 Writing and Crafting Papers
Season Paper Collection
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Uses of Heritage
Laurajane (The University of York, UK) Smith
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Have You Read George’s Podcast?
George the Poet
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The Science For Conservators Series : Volume 3: Adhesives and Coatings
C.V. Horie
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The New Art History : A Critical Introduction
Jonathan (Universiity for the Creative Arts, UK) Harris
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Contemporary Art: A Very Short Introduction
Julian (Professor of Art History, The Courtauld Institute Stallabrass
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Color Management & Quality Output : Working with Color from Camera to Display to Print
Tom (Associate Chair, Masters of Professional Studies at the Sch Ashe
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Art = : Discovering Infinite Connections in Art History
The Metropolitan Museum of Art
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