Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Damian A. (East Tennessee State University, USA) Carpenter
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Applied Theatre: A Pedagogy of Utopia
Selina (The Royal Central School of Speech and Drama, Universit Busby
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Fixing the Musical : How Technologies Shaped the Broadway Repertory
Douglas L. (Lewis and Dorothy Cullman Curator, Lewis and Dorot Reside
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Fixing the Musical : How Technologies Shaped the Broadway Repertory
Douglas L. (Lewis and Dorothy Cullman Curator, Lewis and Dorot Reside
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The Bodies of Others : Essays on Ethics and Representation
Jose A. (University of Castilla-La Mancha, Spain) Sanchez
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The Essential Theatre
Oscar (University of Texas, Austin) Brockett
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World Theatrical Masks : The Many Faces of Expression: Art, Culture & Masks
Ankur Gupta
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Psychiatry on the Stage : How Plays Can Enhance Our Understanding of Psychiatric Conditions
Carol W. (Clinical Assistant Professor in Psychiatry, Clinical Berman
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Anne Frank on the Postwar Dutch Stage : Performance, Memory, Affect
Remco (Radboud University, The Netherlands) Ensel
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This Distracted Globe : Attending to Distraction in Shakespeare's Theatre
Jennifer J. (The Queen's College, Oxford) Edwards
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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The Drama and Theatre of Annie Baker
Amy (University of St. Thomas in St. Paul, Minnesota, USA) Muse
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None Shakespeare's Reception and Interpretation in the Baltics
RamunA- MarcinkeviciA«tA-
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Hints on Elocution, and how to Become an Actor
Charles William Smith
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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