At a Play
Charis Mather
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The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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The Performance Studies Reader
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Early Modern Media Ecology
Peter W. (University of Cologne) Marx
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A Reader on Audience Development and Cultural Policy
Steven Hadley
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A Reader on Audience Development and Cultural Policy
Steven Hadley
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Performing Disability in Medieval and Early Modern Britain
Mark C. (Department of English Studies at Durham University) Chambers
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Performing Disability in Medieval and Early Modern Britain
Chambers Mark C. Chambers
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Approaching the Interval in the Early Modern Theatre : The Significance of the 'Act-Time'
Mark (Universidad de Salamanca, Spain) Hutchings
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Approaching the Interval in the Early Modern Theatre : The Significance of the 'Act-Time'
Mark Hutchings
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The Alchemist
Tanya (Brooklyn College, The City University of New York, USA Pollard
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Shakespeare and (Eco-)Performance History : The Merry Wives of Windsor
Elizabeth Schafer
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Imitation and Contamination of the Classics in the Comedies of Ben Jonson : Guides Not Commanders
Tom Harrison
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Feminist Comedy : Women Playwrights of London
Willow White
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Scripts of Blackness : Early Modern Performance Culture and the Making of Race
Noemie Ndiaye
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Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder W Thornton
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Scriptworks 20/20 : 20 Short Plays from 20 Years of Out of Ink
Scriptworks
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The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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