Psychophysical Acting : An Intercultural Approach after Stanislavski
Phillip B. Zarrilli
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Leading Creators of Twentieth-Century Czech Theatre
Jarka M. Burian
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Technologies of the Self-Portrait : Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
Gabriella Giannachi
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A History of Latinx Performing Arts in the U.S. : Volume I
Beatriz J. Rizk
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A History of Latinx Performing Arts in the U.S. : Volume II
Beatriz J. Rizk
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A History of Latinx Performing Arts in the U.S. : Volume I
Beatriz J. Rizk
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A History of Latinx Performing Arts in the U.S. : Volume II
Beatriz J. Rizk
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The (In)Visibility of Men in the U.S.-American Quilt World : Selected Popular Quilt Fiction
Rue-Stoll Rita Rue-Stoll
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The (In)Visibility of Men in the U.S.-American Quilt World : Selected Popular Quilt Fiction
Rue-Stoll Rita Rue-Stoll
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Modern Drama by Women 1880s-1930s
Katherine E. Kelly
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Modern Drama by Women 1880s-1930s
Katherine E. Kelly
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Peter M. Pringle, Master Decoy Maker
William C. Reeve
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Female Aerialists in the 1920s and Early 1930s : Femininity, Celebrity, and Glamour
Kate Holmes
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Female Aerialists in the 1920s and Early 1930s : Femininity, Celebrity, and Glamour
Kate Holmes
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Greek Art and Aesthetics in the Fourth Century B.C.
William A. P. Childs
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Pina Bausch’s Aggressive Tenderness : Repurposing Theater through Dance
Telory D. Arendell
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Pina Bausch’s Aggressive Tenderness : Repurposing Theater through Dance
Telory D. Arendell
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Surrealism and Photography in 1930s Japan : The Impossible Avant-Garde
Jelena Stojkovic
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Surrealism and Photography in 1930s Japan : The Impossible Avant-Garde
Jelena Stojkovic
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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Shakespeare’s Hobby-Horse and Early Modern Popular Culture
Natalia Pikli
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The Language of Shakespeare's Plays
B. I. Evans
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The Language of Shakespeare's Plays
B. I. Evans
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