Appropriation as Practice : Art and Identity in Argentina
A. Schneider
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Teaching Theatre Today: Pedagogical Views of Theatre in Higher Education
A. Fliotsos
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance Through Cognitive Science
A. Cook
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Intermedial Shakespeares on European Stages
A. Mancewicz
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Modern Architecture in Theatre : The Experiments of Art et Action
A. Read
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Theatre and Event : Staging the European Century
A. Kear
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American Comics, Literary Theory, and Religion : The Superhero Afterlife
A. Lewis
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Shakespeare and Genre : From Early Modern Inheritances to Postmodern Legacies
A. Guneratne
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Picturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Shakespeare and Technology : Dramatizing Early Modern Technological Revolutions
A. Cohen
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A Syncretistic Theory of Depiction
A. Voltolini
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Shakespeare and the Shrew : Performing the Defiant Female Voice
A. Kamaralli
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Animals in the Classical World : Ethical Perspectives from Greek and Roman Texts
A. Harden
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Representing Scotland in Literature, Popular Culture and Iconography : The Masks of the Modern Nation
A. Riach
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Representation and Identity from Versailles to the Present : The Performing Subject
A. Sikes
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Memory in Play : From Aeschylus to Sam Shepard
A. Favorini
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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Highbrow, Lowbrow, Brilliant, Despicable : Fifty Years of New York Magazine
The Editors of New York Magazine
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The Disguised Ruler in Shakespeare and his Contemporaries
Kevin A. Quarmby
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The Disguised Ruler in Shakespeare and his Contemporaries
Kevin A. Quarmby
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