Craft of Use : Post-Growth Fashion
Kate (University of the Arts, London, UK) Fletcher
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Ireland’s Painters, 1600-1940
Anne Crookshank
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Understanding Photobooks : The Form and Content of the Photographic Book
Jorg (writer, photographer, and educator; Hartford Art School Colberg
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Langford's Advanced Photography : The guide for aspiring photographers
Efthimia (Senior Lecturer in Image Science at The University Bilissi
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Fashion Flats and Technical Drawing : Bundle Book + Studio Access Card
Bina (Santa Fe Community College, USA) Abling
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Scenic Art for the Theatre : History, Tools and Techniques
Susan Crabtree
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Dian Hanson’s: The History of Men’s Magazines. Vol. 3: 1960s At the Newsstand
Dian Hanson
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Theories of Art : 3. From Impressionism to Kandinsky
Moshe Barasch
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Dress Fitting : Basic Principles and Practice
Natalie (Katinka School of DressDesigning, London) Bray
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Sound and Recording : Applications and Theory
Francis (Professor of Sound Recording at the University of Sur Rumsey
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Product Design and Sustainability : Strategies, Tools and Practice
Jane (Central Saint Martins, University of the Arts London, UK) Penty
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Music Therapy : An art beyond words
Leslie (University of West England, UK) Bunt
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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After Effects and Cinema 4D Lite : 3D Motion Graphics and Visual Effects Using CINEWARE
Chris Jackson
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Robert Ryman : Used Paint
Suzanne P. (Assistant Professor, The Center for the Study of M Hudson
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Creating Games with Unity and Maya : How to Develop Fun and Marketable 3D Games
Adam Watkins
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The Chertsey Tiles, the Crusades, and Global Textile Motifs
Amanda (College of the Holy Cross) Luyster
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Systems Thinker's Toolbox : Tools for Managing Complexity
Joseph Eli (Principal, The Right Requirement, Australia) Kasser
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After Effects and Cinema 4D Lite : 3D Motion Graphics and Visual Effects Using CINEWARE
Chris Jackson
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Law for Artists : Copyright, the obscene and all the things in between
Blu (University of the West of England, UK) Tirohl
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Drawing and Rendering for Theatre : A Practical Course for Scenic, Costume, and Lighting Designers
Clare (Associate Professor, University of Arizona School of Thea Rowe
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Seeing Color in Classical Art : Theory, Practice, and Reception, from Antiquity to the Present
Jennifer M. S. (The Johns Hopkins University, Maryland) Stager
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Drawing and Rendering for Theatre : A Practical Course for Scenic, Costume, and Lighting Designers
Clare (Associate Professor, University of Arizona School of Thea Rowe
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