Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

The Ethos of Noh : Actors and Their Art, Paperback / softback Book

The Ethos of Noh : Actors and Their Art Paperback / softback

Part of the Harvard East Asian Monographs series

Paperback / softback

Description

Since the inception of the noh drama six centuries ago, actors have resisted the notion that noh rests on natural talent alone.

Correct performance, they claim, demands adherence to traditions.

Yet what constitutes noh’s traditions and who can claim authority over them have been in dispute throughout its history.

This book traces how definitions of noh, both as an art and as a profession, have changed over time.

The author seeks to show that the definition of noh as an art is inseparable from its definition as a profession. The aim of this book is to describe how memories of the past become traditions, as well as the role of these traditions in the institutional development of the noh theater from its beginnings in the fourteenth century through the late twentieth century.

It focuses on the development of the key traditions that constitute the “ethos of noh,” the ideology that empowered certain groups of actors at the expense of others, and how this ethos fostered noh’s professionalization—its growth from a loose occupation into a closed, regulated vocation.

The author argues that the traditions that form the ethos of noh, such as those surrounding masks and manuscripts, are the key traits that define it as an art.

Information

Save 14%

£16.95

£14.45

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the Harvard East Asian Monographs series  |  View all