Performance, Cognitive Theory, and Devotional Culture : Sensual Piety in Late Medieval York
J. Stevenson
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Toward a General Theory of Acting : Cognitive Science and Performance
J. Lutterbie
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Trusting Performance : A Cognitive Approach to Embodiment in Drama
N. Rokotnitz
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Engaging Audiences : A Cognitive Approach to Spectating in the Theatre
B. McConachie
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Engaging Audiences : A Cognitive Approach to Spectating in the Theatre
B. McConachie
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Theatre/Ecology/Cognition : Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
T. Paavolainen
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Performance, Cognitive Theory, and Devotional Culture : Sensual Piety in Late Medieval York
J. Stevenson
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Shakespearean Neuroplay : Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science
A. Cook
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Cognition in the Globe : Attention and Memory in Shakespeare’s Theatre
E. Tribble
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Evolving Hamlet : Seventeenth-Century English Tragedy and the Ethics of Natural Selection
A. Fletcher
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Toward a General Theory of Acting : Cognitive Science and Performance
J. Lutterbie
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Engaging Audiences : A Cognitive Approach to Spectating in the Theatre
B. McConachie
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Theatre/Ecology/Cognition : Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
T. Paavolainen
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Enacting Lecoq : Movement in Theatre, Cognition, and Life
Maiya Murphy
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Kinaesthesia and Visual Self-Reflection in Contemporary Dance
Shantel Ehrenberg
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Kinaesthesia and Visual Self-Reflection in Contemporary Dance
Shantel Ehrenberg
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Add to BasketRestoring the Human Context to Literary and Performance Studies : Voices in Everything
Howard Mancing
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Restoring the Human Context to Literary and Performance Studies : Voices in Everything
Howard Mancing
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Add to BasketShakespeare and Conceptual Blending : Cognition, Creativity, Criticism
Michael Booth
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Kinesthetic Spectatorship in the Theatre : Phenomenology, Cognition, Movement
Jr., Stanton B. Garner
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