Aeschylus' Oresteia : Translation and Theatrical Commentary
Michael Ewans
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1964, A Year in African American Performance History
David Krasner
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Probabilistic Aesthetics of the Avant-Gardes : Predictive Arts
Konrad Wojnowski
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From Broadway to The Bronx : New York City’s History through Song
Veronika Keller
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Dramaturgy to Make Visible : The Legacies of New Dramaturgy for Politics and Performance in Our Times
Peter Eckersall
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Assessing Autoethnography : Notes on Analysis, Evaluation, and Craft
Andrew F. Herrmann
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The Performance Studies Reader
Henry (University of Kansas, USA) Bial
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Becomings : Pregnancy, Phenomenology, and Postmodern Dance
Johanna Kirk
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Marina Carr and Greek Tragedy : Feminist Myths of Monstrosity
Salome Paul
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Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder Thornton
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Of Kings and Clowns : Leadership in Contemporary Egyptian Theatre Since 1967
Tiran Manucharyan
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Theatre and Human Rights : The Politics of Dramatic Form
Gary M. English
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Human Touch : Redefining the Art of British Contemporary Improvisational Theatre
Chloe Arros
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Career Paths of African American Directors : Pushing Boundaries
Saundra McClain
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The Canon in Contemporary Theatre : Plays by Shakespeare, Ibsen, and Brecht in Contemporary Directors’ Theatre
Lars Harald Maagerø
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Performing the Transition to Democracy : Theater and Performance in 1970s Spain
David Rodriguez-Solas
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The Art and Occupation of Stage Design in Finnish Theatres : The Rise and Fall of a Professional Community
Laura Grondahl
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