The Embedded Portrait : Giotto, Giottino, Angelico
Christopher S. Wood
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George A. Kubler and the Shape of Art History
Thomas F. Reese
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Origins, Imitation, Conventions : Representation in the Visual Arts
James S. Ackerman
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Metropolitan Museum Journal, 2023 : Volume 58 Volume 58
Metropolitan Museum of Art
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Jessica Sjoholm Skrubbe
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Counterfactualism in the Fine Arts
Elke (Nanyang Technological University, Singapore) Reinhuber
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Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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Nature and Imagination in Ancient and Early Modern Roman Art
Gabriel Pihas
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Exhibiting Italian Art in the United States from Futurism to Arte Povera : 'Like a Giant Screen'
Raffaele Bedarida
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Naturalized Aesthetics : A Scientific Framework for the Philosophy of Art
Richard A. Richards
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The Routledge International Handbook of Neuroaesthetics
Martin Skov
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American Pop Art in France : Politics of the Transatlantic Image
Liam Considine
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The Royal Inca Tunic : A Biography of an Andean Masterpiece
Andrew James Hamilton
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Millard Meiss, American Art History, and Conservation : From Connoisseurship to Iconology and Kulturgeschichte
Jennifer (University of Turin) Cooke
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The Minjian Avant-Garde : Art of the Crowd in Contemporary China
Chang Tan
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Aby Warburg 150 : Work, Legacy, Promise
David Freedberg
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Kunst ohne Bewusstsein? : Beitrage zur technologischen Asthetik der Gegenwart
Andre Rottmann
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Networks and Practices of Connoisseurship in the Global Eighteenth Century
Valerie Kobi
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Probelauf : Performative Szenen zum parlamentarischen Betrieb
Parlamentsdirektion
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Ricarda Denzer – ganz ohr / all ears : Audio Trouble, Para-Listening, and Sounding Research
Ricarda Denzer
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„Sonderfall“ Angewandte : Die Universitat fur angewandte Kunst Wien im Austrofaschismus, Nationalsozialismus und in der Nachkriegszeit
Bernadette Reinhold
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Abstraction & Economy : Myths of Growth
Eva Maria Stadler
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