Medieval and Renaissance Lactations : Images, Rhetorics, Practices
Jutta Gisela Sperling
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Making and Moving Sculpture in Early Modern Italy
Kelley Helmstutler Di Dio
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Images of Sex and Desire in Renaissance Art and Modern Historiography
Angeliki Pollali
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Gendered Perceptions of Florentine Last Supper Frescoes, c. 1350–1490
Diana Hiller
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Leon Battista Alberti and Nicholas Cusanus : Towards an Epistemology of Vision for Italian Renaissance Art and Culture
Charles H. Carman
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Add to BasketThe Benin Plaques : A 16th Century Imperial Monument
Kathryn Wysocki Gunsch
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The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries : Multiplied and Modified
Grazyna Jurkowlaniec
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Iconology, Neoplatonism, and the Arts in the Renaissance
Berthold Hub
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Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries
Susan L. Green
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Art and Reform in the Late Renaissance : After Trent
Jesse M. (Portland State University) Locker
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The Aura of the Word in the Early Age of Print (1450-1600)
Samuel Mareel
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Art, Theory, and Culture in Sixteenth-Century Italy : From Techne to Metatechne
Robert (University of California, Santa Barbara) Williams
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The Franciscans and Art Patronage in Late Medieval Italy
Louise (University of Warwick) Bourdua
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Art and Politics in Renaissance Italy : British Academy Lectures
George (formerly Chichele Professor of Medieval History, Oxfor Holmes
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Add to BasketOn Antique Painting
Francisco de Hollanda
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Add to BasketMary of Mercy in Medieval and Renaissance Italian Art : Devotional image and civic emblem
Katherine T. (Walsh University) Brown
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Knowledge and Discernment in the Early Modern Arts
Sven Dupre
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Add to BasketVisual Culture and Mathematics in the Early Modern Period
Ingrid Alexander-Skipnes
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Giorgio Vasari's Teachers : Sacred and Profane Art
Liana De Girolami Cheney
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Add to BasketCaravaggio in Context : Learned Naturalism and Renaissance Humanism
John F. Moffatt
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Painterly Perspective and Piety : Religious Uses of the Vanishing Point, from the 15th to the 18th Century
John F. Moffitt
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Inventions of the Studio, Renaissance to Romanticism
Mary Pardo
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Artistic Circulation between Early Modern Spain and Italy
Kelley (University of Vermont) Helmstutler Di Dio
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