Confronting the Golden Age : Imitation and Innovation in Dutch Genre Painting 1680-1750
Junko Aono
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The Matter of Miracles : Neapolitan Baroque Architecture and Sanctity
Helen Hills
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Historical Dictionary of Baroque Art and Architecture
Lilian H. Zirpolo
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Critical Perspectives on Roman Baroque Sculpture
Anthony (Johns Hopkins) Colantuono
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Johan Zoffany, R.A. : 1733-1810
Mary Webster
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Baroque Naples and the Industry of Painting : The World in the Workbench
Christopher R. Marshall
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Van Dyck, Rembrandt, and the Portrait Print
Victoria Sancho Lobis
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The Path of Humility : Caravaggio and Carlo Borromeo
Anne H. Muraoka
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Paolo de Matteis : Neapolitan Painting and Cultural History in Baroque Europe
Livio Pestilli
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The Ethics of Ornament in Early Modern Naples : Fashioning the Certosa di San Martino
J. Nicholas Napoli
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Faith, Gender and the Senses in Italian Renaissance and Baroque Art : Interpreting the Noli me tangere and Doubting Thomas
Erin E. Benay
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The Seven Ancient Wonders in the Early Modern World
Inmaculada (University Jaume I, Spain) Rodriguez-Moya
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The Watson Gordon Lecture : Caravaggio and Cupid: Homage and Rivalry in Rome and Florence
Helen Langdon
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Passion for Reason and Reason of Passion : Seventeenth Century Art and Theory in France, 1648-1683
Martin Weyl
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Essays in Self-Portraiture : A Comparison of Technique in the Self-Portraits of Montaigne and Rembrandt
Andrew Small
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Baroque New Worlds : Representation, Transculturation, Counterconquest
Lois Parkinson Zamora
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Introduction to Italian Sculpture, Volume III : Italian High Renaissance and Baroque Sculpture
John Pope-Hennessy
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The Beholder : The Experience of Art in Early Modern Europe
Thomas Frangenberg
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The Look of Van Dyck : The Self-Portrait with a Sunflower and the Vision of the Painter
John Peacock
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Baroque Self-Invention and Historical Truth : Hercules at the Crossroads
Christopher Braider
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Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni
Pamela M. Jones
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