Social History of Art, Volume 4 : Naturalism, Impressionism, The Film Age
Arnold Hauser
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Twelve Views of Manet's Bar
Bradford Collins
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Theories of Art : 3. From Impressionism to Kandinsky
Moshe Barasch
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Matisse : Radical Invention, 1913-1917
Stephanie D'Alessandro
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Cezanne and the End of Impressionism : A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Richard Shiff
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Impressionists and Politics : Art and Democracy in the Nineteenth Century
Philip Nord
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Monet, Narcissus, and Self-Reflection : The Modernist Myth of the Self
Steven Z. Levine
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Impressionist Giverny : A Colony of Artists, 1885-1915
Katherine M. Bourguignon
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Early Impressionism and the French State (1866-1874)
Jane Mayo (Hunter College, City University of New York) Roos
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Mapping Impressionist Painting in Transnational Contexts
Emily C. Burns
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Cezanne's Bathers : Biography and the Erotics of Paint
Aruna D’Souza
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Max Liebermann : Modern Art and Modern Germany
Marion F. Deshmukh
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Impressionists in England (Routledge Revivals) : The Critical Reception
Kate (Provost Professor of Art History and English, University Flint
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Art and the French Commune : Imagining Paris after War and Revolution
Albert Boime
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Post-Impressionism to World War II
Debbie (University of Glasgow) Lewer
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Americans in Florence : Sargent and the Impressionists of the New World
Francesca Bardazzi
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