Picturing the Artist's Studio, from Delacroix to Picasso
Heather McPherson
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A Circumpolar Landscape : Art and Environment in Scandinavia and North America, 1890-1930
Isabelle Gapp
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Painting with Monet
Harmon Siegel
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Myth and Menagerie : Seeing Lions in the Nineteenth Century
Katie Hornstein
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Monet's Minutes : Impressionism and the Industrialization of Time
Andre Dombrowski
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Degas and the Laundress : Women, Work, and Impressionism
Britany Salsbury
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Danish-British Consort Portraiture, c.1600-1900
Sara Ayres
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Women, Environment, and Networks of Empire : Elizabeth Gwillim and Mary Symonds in Madras
Anna Winterbottom
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Victorian Ethical Optics : Innocent Eyes and Aberrant Bodies
Natalie (Independent Scholar) Prizel
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William Morris: Selected Writings
Dr Ingrid (Lecturer in English Literature, Lecturer in English Hanson
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Portrait and Place : Photography in Senegal, 1840–1960
Giulia Paoletti
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Art Collecting and Middle Class Culture from London to Brighton, 1840–1914
David Adelman
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Political Economy, Race, and the Image of Nature in the United States, 1825–1878
Evan Robert (Pratt Institute, USA) Neely
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Post-Impressionists in England : The Critical Reception
Barrie Bullen
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The Art of Entertainment : Popular Performance in Modern British Art, 1880 to 1940
Jason Price
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The Harlequin Eaters : From Food Scraps to Modernism in Nineteenth-Century France
Janet Beizer
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Spirituality, Feminism, and Pre-Raphaelitism in Modern British Art and Culture
Alice Eden
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Tastemakers, Collectors, and Patrons : Collecting American Art in the Long Nineteenth Century
Linda S. Ferber
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The Revolution Takes Form : Art and the Barricade in Nineteenth-Century France
Jordan Marc (University of California, San Diego) Rose
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Pathology and Visual Culture : The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpetriere School
Natasha (University of Essex) Ruiz-Gomez
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Facing Images : Medieval Japanese Art and the Problem of Modernity
Kristopher W. (University of California, Los Angeles) Kersey
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