American Pop Art in France : Politics of the Transatlantic Image
Liam Considine
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Reading the Architecture of the Underprivileged Classes
Nnamdi Elleh
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Liberalism, Nationalism and Design Reform in the Habsburg Empire : Museums of Design, Industry and the Applied Arts
Matthew Rampley
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Origins, Imitation, Conventions : Representation in the Visual Arts
James S. Ackerman
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Yayoi Kusama : Inventing the Singular
Midori Yamamura
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Millard Meiss, American Art History, and Conservation : From Connoisseurship to Iconology and Kulturgeschichte
Jennifer (University of Turin) Cooke
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The Routledge Companion to William Morris
Florence S. (University of Iowa) Boos
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Jessica Sjoholm Skrubbe
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Rediscovering Objects from Islamic Lands in Enlightenment Europe
Isabelle Dolezalek
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The Procaccini and the Business of Painting in Early Modern Milan
Angelo Lo Conte
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Charting the Afrofuturist Imaginary in African American Art : The Black Female Fantastic
Elizabeth Carmel Hamilton
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How Photography Changed Philosophy
Daniel Rubinstein
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Late Antique Portraits and Early Christian Icons : The Power of the Painted Gaze
Andrew Paterson
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Counterfactualism in the Fine Arts
Elke (Nanyang Technological University, Singapore) Reinhuber
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Painting, Science, and the Perception of Coloured Shadows : ‘The Most Beautiful Blue’
Paul Smith
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The Influence of Italian Culture on the Sevillian Golden Age of Painting
Rafael Japon
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Private Collectors of Islamic Art in Late Nineteenth-Century London : The Persian Ideal
Isabelle Gadoin
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Inhabiting the Impossible : Dance and Experimentation in Puerto Rico
Susan Homar
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Visualizing Household Health : Medieval Women, Art, and Knowledge in the Regime du corps
Jennifer (Oklahoma State University) Borland
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Kunst der Vereinigten Staaten 1750–2000 : Eine kommentierte Quellenanthologie
John Davis
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Kunst ohne Bewusstsein? : Beitrage zur technologischen Asthetik der Gegenwart
Andre Rottmann
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Stille Große : Kunstideal und Wehrgedanke bei Schadow, David und Goya
Godehard Janzing
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Zeugnis. Zweifel. Zeichen : Zeitgeschichte in der abstrakten Malerei in Deutschland nach 1945
Anne-Kathrin Hinz
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