Motion Graphics : Principles and Practices from the Ground Up
Crook Ian Crook
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Motion Graphics : Principles and Practices from the Ground Up
Crook Ian Crook
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The Animator's Eye : Adding Life to Animation with Timing, Layout, Design, Color and Sound
Francis Glebas
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles Haine
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Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution
Brian McKernan
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The Wes Anderson Collection: The Grand Budapest Hotel
Matt Zoller Seitz
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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
Kurt Lancaster
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Set Lighting Technician's Handbook : Film Lighting Equipment, Practice, and Electrical Distribution
Harry Box
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Matchmoving : The Invisible Art of Camera Tracking
Tim Dobbert
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles Haine
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About to Die : How News Images Move the Public
Barbie Zelizer
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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
Kurt Lancaster
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The Animator's Eye : Adding Life to Animation with Timing, Layout, Design, Color and Sound
Francis Glebas
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Tony White's Animator's Notebook : Personal Observations on the Principles of Movement
Tony White
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Matchmoving : The Invisible Art of Camera Tracking
Tim Dobbert
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Basic Cinematography : A Creative Guide to Visual Storytelling
Kurt Lancaster
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Practices of Projection : Histories and Technologies
Gabriel Menotti
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Practices of Projection : Histories and Technologies
Gabriel Menotti
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Principal Photography : Interviews with Feature Film Cinematographers
LoBrutto Vincent LoBrutto
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RED : The Ultimate Guide to Using the Revolutionary Camera
Noah Kadner
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Chronicle of a Camera : The Arriflex 35 in North America, 1945-1972
Norris Pope
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