Editing with Avid Media Composer 5 : Avid Official Curriculum
Inc. Avid Technology
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About to Die : How News Images Move the Public
Barbie Zelizer
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About to Die : How News Images Move the Public
Barbie Zelizer
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Documentaries : ...and how to make them
Andy Glynne
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Fine Cuts: Interviews on the Practice of European Film Editing
Roger (BAFTA, UK) Crittenden
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Cinema Raw : Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras
Kurt Lancaster
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Color and Mastering for Digital Cinema
Glenn Kennel
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Compositing Visual Effects : Essentials for the Aspiring Artist
Steve Wright
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Techniques of Special Effects of Cinematography
Raymond Fielding
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Audio Postproduction for Film and Video
Jay Rose
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The Animator's Eye : Adding Life to Animation with Timing, Layout, Design, Color and Sound
Francis Glebas
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Tony White's Animator's Notebook : Personal Observations on the Principles of Movement
Tony White
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Creative Motion Graphic Titling : Titling with Motion Graphics for Film, Video, and the Web
Bill Byrne
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Creative Motion Graphic Titling : Titling with Motion Graphics for Film, Video, and the Web
Bill Byrne
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Color and the Moving Image : History, Theory, Aesthetics, Archive
Simon Brown
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The Filmmaker's Eye : Learning (and Breaking) the Rules of Cinematic Composition
Gustavo Mercado
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Reel Change : A History of British Cinema from the Projection Box
Richard Wallace
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