An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Ed Hooks
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Patsy Rodenburg
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Add to BasketSecrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Jaye J. Elster
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Add to BasketExperiencing Accents: A Knight-Thompson Speechwork® Guide for Acting in Accent
Philip Thompson
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Add to BasketStanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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Add to BasketNine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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Add to BasketThe Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Add to BasketTowards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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Add to BasketThe Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Add to BasketWorking with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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Art Of Teaching Acting, The: Every Teacher's What, Why And How
Dean (Actors Centre Australia, Australia) Carey
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Add to BasketHow To Stop Acting
Harold Guskin
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Add to BasketTo the Actor : On the Technique of Acting
Michael Chekhov
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Add to BasketThe Body Speaks : Performance and physical expression
Lorna Marshall
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Add to BasketImprovisation for the Theater
Viola Spolin
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And Then, You Act : Making Art in an Unpredictable World
Anne (Siti Theatre Company New York, USA) Bogart
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John (Author) Barton
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Add to BasketActing Stanislavski : A practical guide to Stanislavski’s approach and legacy
John (Independent scholar, UK) Gillett
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Add to BasketThe Lee Strasberg Notes
Lola Cohen
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