Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Innovation & Digital Theatremaking : Rethinking Theatre with “The Show Must Go Online”
Robert Myles
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Stage Management Theory as a Guide to Practice : Cultivating a Creative Approach
Lisa Porter
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Futures of Performance : The Responsibilities of Performing Arts in Higher Education
Karen Schupp
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Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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Conversations with Women in Musical Theatre Leadership
Amanda Wansa Morgan
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Stanislavsky and Race : Questioning the “System” in the 21st Century
Siiri Scott
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La MaMa Experimental Theatre – A Lasting Bridge Between Cultures : The Dialogue with European Theater in the Years 1961–1975
Monica Cristini
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Independent Performing Arts in Europe : Establishment and Survival of an Emerging Field
Thomas Fabian Eder
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The Dramaturgy of History
Tom Bryant
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Rethinking Roland Barthes Through Performance : A Desire for Neutral Dramaturgy
Harry Robert Wilson
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The Accidental Producer : How Anyone Can Get Their Show on Stage
Tim Johanson
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Staging Ancient Greek Plays : A Practical Guide
Michael (University of Newcastle, Australia) Ewans
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Public/Private : My Life with Joe Papp at The Public Theater
Gail Merrifield Papp
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Directing the Play
Mark Tekena Gasper Mark
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British and American Musical Theatre Exchanges in the West End (1924-1970) : The “Americanization” of Drury Lane
Arianne Johnson Quinn
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Directing Desire : Intimacy Choreography and Consent in the Twenty-First Century
Kari Barclay
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Cine de mujeres y cine queer; Cartograf?as del deseo
Uta Felten
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Cine, Literatura Y Otras Artes Al Servicio de Las Ideolog?as
Teresa Fern?ndez-Ulloa
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