Supporting Staged Intimacy : A Practical Guide for Theatre Creatives, Managers, and Crew
Alexis Black
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Towards Good Lighting for the Stage : Aesthetic Theory for Theatrical Lighting Design
Marcus Doshi
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Decadent Plays: 1890-1930 : Salome; The Race of Leaves; The Orgy: A Dramatic Poem; Madame La Mort; Lilith; Ennoia: A Triptych; The Black Maskers; La Gioconda; Ardiane and Barbe Bleue or, The Useless D
Adam Alston
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Stage Management Theory as a Guide to Practice : Cultivating a Creative Approach
Lisa Porter
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International Theatre Festivals and Twenty-First-Century Interculturalism
Ric (University of Guelph, Ontario) Knowles
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Acting and Directing Shakespeare's Comedies : Key Lessons
Kevin Otos
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Directing for Community Theatre
Daniel L. Patterson
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Inventing the Myth : Political Passions and the Ulster Protestant Imagination
Connal (Vice Chancellor's Research Fellow in the Humanities, Nor Parr
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The Beginner’s Guide to Opera Stage Management : Gathering the Tools You Need to Work in Opera
Danielle Ranno
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Text and Performance in Contemporary British Theatre
Catherine Love
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The Art of Knife Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Cutting Plays for Performance : A Practical and Accessible Guide
Toby Malone
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The Theatre of Les Waters : More Like the Weather
Scott T. (Boston College, Massachussets, USA) Cummings
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The Stage Director’s Prompt Book : A Guide to Creating and Using the Stage Director’s Most Powerful Rehearsal and Production Tool
Leslie Ferreira
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Theatre in Market Economies
Michael (Queen Mary University of London) McKinnie
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Solo Transformation on Stage : A Journey into the Organic Process of the Art of Transformation
Ronald Rand
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Shakespeare's Double Plays : Dramatic Economy on the Early Modern Stage
Brett (Dartmouth College, New Hampshire) Gamboa
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Living Quixote : Performative Activism in Contemporary Brazil and the Americas
Rogelio Minana
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The Literary Manager's Toolkit : A Practical Guide for the Theatre
Sue Healy
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Experiential Theatres : Praxis-Based Approaches to Training 21st Century Theatre Artists
William W. (Purdue University, USA) Lewis
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New Playwriting at Shakespeare’s Globe
Vera (University of Pavia, Italy) Cantoni
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The Feldenkrais Method in Creative Practice : Dance, Music and Theatre
Robert (Feldenkrais practitioner, UK) Sholl
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Theater of Lockdown : Digital and Distanced Performance in a Time of Pandemic
Barbara (UCLA, USA) Fuchs
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Witness Onstage : Documentary Theatre in Twenty-First-Century Russia
Molly Flynn
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