The Routledge Companion to Performance Practitioners
Franc (University of Huddersfield, UK) Chamberlain
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The Literary Manager's Toolkit : A Practical Guide for the Theatre
Sue Healy
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Experiential Theatres : Praxis-Based Approaches to Training 21st Century Theatre Artists
William W. (Purdue University, USA) Lewis
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Shakespeare's Double Plays : Dramatic Economy on the Early Modern Stage
Brett (Dartmouth College, New Hampshire) Gamboa
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The Cambridge Companion to Theatre and Science
Kirsten E. (University of Oxford) Shepherd-Barr
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Performances at Court in the Age of Shakespeare
Sophie Chiari
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The Globalization of Theatre 1870-1930 : The Theatrical Networks of Maurice E. Bandmann
Christopher B. (Ludwig-Maximilians-Universitat Munchen) Balme
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Still Shakespeare and the Photography of Performance
Sally (King's College London) Barnden
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Music and the Benefit Performance in Eighteenth-Century Britain
Matthew (Eberhard-Karls-Universitat Tubingen, Germany) Gardner
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The Players' Advice to Hamlet : The Rhetorical Acting Method from the Renaissance to the Enlightenment
David (University of Exeter) Wiles
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Performance and Modernity : Enacting Change on the Globalizing Stage
Julia A. (Washington University, St Louis) Walker
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The Palgrave Handbook of Musical Theatre Producers
Laura MacDonald
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Dramaturgy and Performance
Cathy (University of Exeter, Exeter) Turner
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Sound and Music for the Theatre : The Art & Technique of Design
Deena Kaye
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Beijing Opera Costumes : The Visual Communication of Character and Culture
Alexandra B Bonds
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The Director as Collaborator
Robert (University of Buffalo) Knopf
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Richard Foreman : An American (Partly) in Paris
Neal Swettenham
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