Screenwriters Advice : From Popular and Award Winning Film, TV, and Streaming Shows
Andrew (Independent Scholar, UK) Zinnes
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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Multi-Camera Cinematography and Production : Camera, Lighting, and Other Production Aspects for Multiple Camera Image Capture
David (Fairleigh Dickinson University, USA) Landau
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The Cinema of Powell and Pressburger
Nathalie (BFI, UK) Morris
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Hollywood and the Movies of the Fifties : The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television
Foster Hirsch
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Video Storytelling Projects : A DIY Guide to Shooting, Editing and Producing Amazing Video Stories on the Go
Rafael Concepcion
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The Fundamentals of Fashion Filmmaking
Nilgin (Freelance writer and educator) Yusuf
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Technology and the Making of Experimental Film Culture
John (Assistant Professor of Film and Media Studies, Assistant Powers
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Action Cinema Since 2000
Professor Emerita Chris (University of Tennessee, USA) Holmlund
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Visual Storytelling with Color and Light
Michael, QC Humphries
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Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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Albert Brooks : Interviews
Alexander Greenhough
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Period Costume for Stage & Screen : Patterns for Women's Dress, 1800-1909
Jean Hunnisett
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Period Costume for Stage & Screen : Patterns for Women's Dress 1500-1800
Jean Hunnisett
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Researching Creativity in Media Industries
Mads Møller T. Andersen
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Music Films : Documentaries, Concert Films and Other Cinematic Representations of Popular Music
Neil (Falmouth University, UK) Fox
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Designing Russian Cinema : The Production Artist and the Material Environment in Silent Era Film
Eleanor (University College London, UK) Rees
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Bloody Women : Women Directors of Horror
Victoria McCollum
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The Art of Star Wars: The Force Awakens
Phil Szostak
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The Filmmaker's Eye: The Language of the Lens : The Power of Lenses and the Expressive Cinematic Image
Gustavo Mercado
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