Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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Through a Noir Lens : Adapting Film Noir Visual Style
Sheri Chinen Biesen
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The Self-Sustaining Filmmaker : Creating Crowdsourced, Crowdfunded & Community-Supported Independent Film
Marty Lang
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ADR and Post-Sync Dialogue : What It Is and How It's Done
R.J. Kizer
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Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Albert Brooks : Interviews
Alexander Greenhough
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Music Films : Documentaries, Concert Films and Other Cinematic Representations of Popular Music
Neil (Falmouth University, UK) Fox
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Rick Baker: Metamorphosis
J. W. Rinzler
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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The Serious Game : Ingmar Bergman as Stage Director
Egil Toernqvist
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5 – Poltergeist II: Drawings 1983–1985 : Drawings 1983-1985
H. Giger
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Secret Cinema and the Immersive Experience Industry
Sarah Atkinson
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Finnish Film Studios
Kimmo Laine
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George A. Romero's Independent Cinema : Horror, Industry, Economics
Tom Fallows
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Refocus: the Films of Denis Villeneuve
Jeri English
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The Extreme Cinema of Eastern Europe : Rape, Art, (S)Exploitation
Anna Batori
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Hammer Goes to Hell : The House of Horror's Unmade Films
Kieran Foster
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Making Stereo Fit : The History of a Disquieting Film Technology
Eric Dienstfrey
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£71.00
£61.05
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A Medium Seen Otherwise : Photography in Documentary Film
Roger (Associate Professor of English, Associate Professor of Hallas
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Between Images : Montage and the Problem of Relation
Ryan (Professor, Professor, Salisbury University) Conrath
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£64.00
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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