Semiotics for Screenwriters : Break Down Your Favorite Movies Then Write Your Own
Michael (East Carolina University, USA) Tierno
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Add to BasketScreenwriters Advice : From Popular and Award Winning Film, TV, and Streaming Shows
Andrew (Independent Scholar, UK) Zinnes
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Add to BasketThe Films of Laura Mulvey and Peter Wollen : Scripts, Working Documents, Interpretation
Oliver Fuke
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Add to BasketApplied Screenwriting : How to Write True Scripts for Creative and Commercial Video
Carey Martin
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Add to BasketCollected Screenplays
Andrei Tarkovsky
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Add to BasketWriting the Horror Movie
Marc (Southampton Solent University, UK) Blake
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Add to BasketCollected Screenplays 3
Harold Pinter
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Add to BasketScreenwriting is Rewriting : The Art and Craft of Professional Revision
Jr., Jack (University of Southern California, USA) Epps
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Add to BasketWriting the Short Film
Patricia (Tisch School of the Arts, New York University, New Y Cooper
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Add to BasketDramatic Story Structure : A Primer for Screenwriters
Edward J. Fink
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Add to BasketWriting for Animation
Laura (Independent screenwriter, UK) Beaumont
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Add to BasketRobert De Niro at Work : From Screenplay to Screen Performance
Adam Ganz
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Add to BasketInclusive Screenwriting for Film and Television
Jess (DePaul University, USA) King
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Add to BasketAlternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Add to BasketScreen Production Research : Creative Practice as a Mode of Enquiry
Craig Batty
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Add to BasketWriting Compelling Dialogue for Film and TV : The Art & Craft of Raising Your Voice on Screen
Loren-Paul (Columbia University; NYU Tisch; Hofstra University Caplin
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Add to BasketScriptwriting for Film, Television and New Media
Alan (Point Loma Nazarene University, USA) Hueth
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Add to BasketScriptwriting for Web Series : Writing for the Digital Age
Marie (San Francisco State University, USA) Drennan
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Add to BasketScreenwriting for Micro-Budget Films : Tips, Tricks and Hacks for Reverse Engineering Your Screenplay
David Greenberg
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Add to BasketWriting Women for Film & Television : A Guide to Creating Complex Female Characters
Anna (Kennesaw State University, USA) Weinstein
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Add to BasketCollaborative Screenwriting and Story Development : A Global Guide for Writers, Story Teams, and Creative Executives
Marc Handler
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Add to BasketThe GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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Add to BasketThe Final Rewrite : How to View Your Screenplay with a Film Editor’s Eye
John (University of Southern California, USA) Rosenberg
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