What Film Is Good For : On the Values of Spectatorship
Prof. Julian Hanich
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Black Boys : The Social Aesthetics of British Urban Film
Nwonka Clive Chijioke Nwonka
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Cliffhanger! : Cinematic Superheroes of the Serials: 1941–1952
Christopher Irving
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Lena Horne : Goddess Reclaimed
Donald Bogle
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Poltergeist
Rob McLaughlin
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Hollywood Pride : A Celebration of LGBTQ+ Representation and Perseverance in Film
Alonso Duralde
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Resistant Reproductions : Pregnancy and Abortion in British Literature and Film
Fran Bigman
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Resistant Reproductions : Pregnancy and Abortion in British Literature and Film
Fran Bigman
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima
Hannah Holtzman
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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Interactive Cinema : The Ambiguous Ethics of Media Participation
Marina Hassapopoulou
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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