George A. Romero's Independent Cinema : Horror, Industry, Economics
Tom Fallows
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Contemporary Thai Horror Film : A Monstrous Hybrid
Mary Ainslie
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Networked David Lynch : Critical Perspectives on Cinematic Transmediality
Marcel Hartwig
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Refocus: the Films of Roberta Findlay
Peter Alilunas
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The Cultural Politics of Contemporary Hollywood Film : Power, Culture, and Society
Chris Beasley
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Subjective Realist Cinema : From Expressionism to Inception
Matthew Campora
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Screening Art : Modernist Aesthetics and the Socialist Imaginary in East German Cinema
Sean Allan
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Men, War and Film : The Calling Blighty Films of World War II
Steve Hawley
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Cinema on the Front Line : British Soldiers and Cinema in the First World War
Chris Grosvenor
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Animals in Narrative Film and Television : Strange and Familiar Creatures
Karin Beeler
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Elizabeth Taylor : Icon of American Empire
Gloria Shin
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Robot Suicide : Death, Identity, and AI in Science Fiction
Liz W., Dean College Faber
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Contemporary Greek Film Cultures from 1990 to the Present
Wendy Everett
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Vivre Ici : Space, Place and Experience in Contemporary French Documentary
Alison (Department of French, University of Virginia J. Murray Levine
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Nazism and Neo-Nazism in Film and Media
Jason Lee
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Special Effects on the Screen : Faking the View from Melies to Motion Capture
Martin Lefebvre
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Hungarian Film, 1929-1947 : National Identity, Anti-Semitism and Popular Cinema
Gabor Gergely
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Korean Cinema in Global Contexts : Post-Colonial Phantom, Blockbuster and Trans-Cinema
Soyoung Kim
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James Bond Will Return : Critical Perspectives on the 007 Film Franchise
Claire Hines
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Between Images : Montage and the Problem of Relation
Ryan (Professor, Professor, Salisbury University) Conrath
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£64.00
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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Mean Girl Feminism : How White Feminists Gaslight, Gatekeep, and Girlboss
Kim Hong Nguyen
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Francophone African Women Documentary Filmmakers : Beyond Representation
Suzanne Crosta
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