No Country for Old Men : From Novel to Film
Lynnea Chapman King
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The Scene of Violence : Cinema, Crime, Affect
Alison Young
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Queer Cowboys : And Other Erotic Male Friendships in Nineteenth-Century American Literature
C. Packard
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Shakespeare, Film, Fin de Siecle
Mark Thornton Burnett
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Moving Environments : Affect, Emotion, Ecology, and Film
Alexa Weik von Mossner
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Beyond Bollywood : The Cultural Politics of South Asian Diasporic Film
Jigna Desai
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Writing History in Film
William (Sonoma State University, USA) Guynn
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Breaking the Glass Armor
Kristin Thompson
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A World in Chaos : Social Crisis and the Rise of Postmodern Cinema
Carl Boggs
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Emotion and the Structure of Narrative Film : Film As An Emotion Machine
Ed S. Tan
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Film, Theory and Philosophy : The Key Thinkers
Felicity Colman
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Mapping Intermediality in Performance
Andy Lavender
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Violence and American Cinema
J. David (New York University) Slocum
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Gilles Deleuze : Cinema and Philosophy
Paola (Johns Hopkins University) Marrati
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A Companion to Film Theory
Toby (University of California at Riverside) Miller
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Cinematic Ethics : Exploring Ethical Experience through Film
Robert Sinnerbrink
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Red Velvet Seat : Women’s Writings on the First Fifty Years of Cinema
Antonia Lant
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The Making of American Audiences : From Stage to Television, 1750-1990
Richard (Rider University, New Jersey) Butsch
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Screen Tastes : Soap Opera to Satellite Dishes
Charlotte Brunsdon
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