Kore-eda Hirokazu
Marc Yamada
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Robot Suicide : Death, Identity, and AI in Science Fiction
Liz W., Dean College Faber
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Cinema Memories : A People's History of Cinema-going in 1960s Britain
Melvyn (University College London, UK) Stokes
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Anime : A History
Jonathan (Author/Scriptwriter, UK) Clements
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Poltergeist
Rob McLaughlin
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The Cavalry Trilogy : John Ford, John Wayne, and the Making of Three Classic Westerns
Michael F. Blake
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Refocus: The Films of Alejandro Jodorowsky
Michael Witte
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Refocus: the Films of Wes Craven
Calum Waddell
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Historical Media Memories of the Rwandan Genocide : Documentaries, Films, and Television News
Tommy Gustafsson
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French Westerns : On the Frontier of Film Genre and French Cinema
Timothy Scheie
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Liberating Shakespeare : Adaptation and Empowerment for Young Adult Audiences
Dr Jennifer Flaherty
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Contemporary Thai Horror Film : A Monstrous Hybrid
Mary Ainslie
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Gaia-Asthetiken im zeitgenossischen Spielfilm : Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse
Friederike Ahrens
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Silent Film and the Formations of U.S. Literary Culture : Literature in Motion
Sarah (Associate Professor of English, Associate Profes Gleeson-White
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Describing Cinema
Timothy (Professor Emeritus of Cinema and Media Studies, Pro Corrigan
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Describing Cinema
Timothy (Professor Emeritus of Cinema and Media Studies, Pro Corrigan
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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One Shot Hitchcock : A Contemporary Approach to the Screen
Luke (Casual Academic, Casual Academic, University of New So Robinson
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