What Film Is Good For : On the Values of Spectatorship
Prof. Julian Hanich
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Cliffhanger! : Cinematic Superheroes of the Serials: 1941–1952
Christopher Irving
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Curating the Moving Image
Mark Nash
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The Intensive-Image in Deleuze's Film-Philosophy
Crist bal Escobar
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The Wicker Man
Steve A. Wiggins
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The Quest for the Wicker Man : History, Folklore and Pagan Perspectives
Benjamin Franks
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Kore-eda Hirokazu
Marc Yamada
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Introduction to Documentary, Fourth Edition
Bill (San Francisco State University) Nichols
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Perfect Wave : More Essays on Art and Democracy
Dave Hickey
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Lena Horne : Goddess Reclaimed
Donald Bogle
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HITCHOLOGY : A film-by-film guide to the style and themes of Alfred Hitchcock
Neil Alcock
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Poltergeist
Rob McLaughlin
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The Cavalry Trilogy : John Ford, John Wayne, and the Making of Three Classic Westerns
Michael F. Blake
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Refocus: the Films of Susan Seidelman
Susan Kerns
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Refocus: The Films of Alejandro Jodorowsky
Michael Witte
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Refocus: the Films of Wes Craven
Calum Waddell
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Refocus: the Films of Steve Mcqueen
Thomas Austin
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Refocus: the Films of Claire Denis
Peter Sloane
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Reimagining Israel and Palestine in Contemporary British and German Culture
Isabelle Hesse
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