The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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HITCHOLOGY : A film-by-film guide to the style and themes of Alfred Hitchcock
Neil Alcock
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Poltergeist
Rob McLaughlin
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Hollywood Pride : A Celebration of LGBTQ+ Representation and Perseverance in Film
Alonso Duralde
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A Philosophy of Fashion Through Film : On the Body, Style, and Identity
Laura T. Di (William Paterson University, USA) Summa
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Cinematic Modernism and Contemporary Film : Aesthetics and Narrative in the International Art Film
Dr Howard (Queen Mary, University of London, UK) Finn
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Recontextualizing Indian Shakespeare Cinema in the West : Familiar Strangers
Varsha (New York University, London, UK) Panjwani
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Cinema in the Arab World : New Histories, New Approaches
Ifdal (Netherlands-Flemish Institute in Cairo, Egypt) Elsaket
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The Human Figure on Film : Natural, Pictorial, Institutional, Fictional
Seth Barry Watter
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Interactive Cinema : The Ambiguous Ethics of Media Participation
Marina Hassapopoulou
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Movies under the Influence
Jocelyn Szczepaniak-Gillece
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Stardust : Cinematic Archives at the End of the World
Hannah Goodwin
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States of Danger and Deceit : The European Political Thriller in the 1970s
Rachel Hayward
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Robert Lepage's Original Stage Productions : Making Theatre Global
Karen Fricker
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Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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The Intruder
Jean-Luc Nancy
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Pontius Pilate on Screen : Sinner, Soldier, Superstar
Christopher M McDonough
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Looking Beyond Neoliberalism : French and Francophone Belgian Cinema and the Crisis
Martin O'Shaughnessy
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