Kore-eda Hirokazu
Marc Yamada
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Introduction to Documentary, Fourth Edition
Bill (San Francisco State University) Nichols
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Lena Horne : Goddess Reclaimed
Donald Bogle
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Perfect Wave : More Essays on Art and Democracy
Dave Hickey
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Liberating Shakespeare : Adaptation and Empowerment for Young Adult Audiences
Dr Jennifer Flaherty
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The Cavalry Trilogy : John Ford, John Wayne, and the Making of Three Classic Westerns
Michael F. Blake
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Poltergeist
Rob McLaughlin
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Cinema Memories : A People's History of Cinema-going in 1960s Britain
Melvyn (University College London, UK) Stokes
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The Last Decade of Cinema 25 films from the nineties
Scott Ryan
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Re-Thinking The Godfather 50 Years Later
Anthony Julian Tamburri
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Trash and Limits in Latin American Culture
Micah McKay
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Arab World Cinemas : A Reader and Guide
Marl? Hammond
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Looking Beyond Neoliberalism : French and Belgian Cinema Post-2008
Martin O'Shaughnessy
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Hollywood Remakes of Iconic British Films : Class, Gender and Stardom
Agnieszka Rasmus
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Towards an Intermedial History of Brazilian Cinema
L?cia Nagib
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Norwegian Nightmares : The Horror Cinema of a Nordic Country
Christer Bakke Andresen
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Refocus: The Films of Joao Pedro Rodrigues and Joao Rui Guerra Da Mata
Jos? Duarte
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Film, Hot War Traces and Cold War Spaces
Maurizio Cinquegrani
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Transnational Kaiju : From Strange Beasts to Legendary Monsters
Steven Rawle
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