Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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Yiddish Cinema : The Drama of Troubled Communication
Jonah Corne
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The Human Figure on Film : Natural, Pictorial, Institutional, Fictional
Seth Barry Watter
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Arab World Cinemas : A Reader and Guide
Marl? Hammond
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Reanimated : The Contemporary American Horror Remake
Laura Mee
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Looking Beyond Neoliberalism : French and Belgian Cinema Post-2008
Martin O'Shaughnessy
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Hollywood Remakes of Iconic British Films : Class, Gender and Stardom
Agnieszka Rasmus
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Towards an Intermedial History of Brazilian Cinema
L?cia Nagib
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Norwegian Nightmares : The Horror Cinema of a Nordic Country
Christer Bakke Andresen
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Refocus: The Films of Joao Pedro Rodrigues and Joao Rui Guerra Da Mata
Jos? Duarte
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Film, Hot War Traces and Cold War Spaces
Maurizio Cinquegrani
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Transnational Kaiju : From Strange Beasts to Legendary Monsters
Steven Rawle
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Superhero Blockbusters : Seriality and Politics
Felix Brinker
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Refocus: The Films of Lucrecia Martel
Natalia Christofoletti Barrenha
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Derivative Images : Financial Derivatives in French Film, Literature and Thought
Calum Watt
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Faces on Screen : New Approaches
Alice Maurice
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Main Melody Films : Hong Kong Directors in Mainland China
Stephen Yiu-Wai Chu
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Erased : A Black Actor's Journey through the Glory Days of Hollywood
Loo Hui Phang
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The Motorcycle Diaries : Youth, Travel and Politics in Latin America
Nadia (KU Leuven, Belgium) Lie
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Charlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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