African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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AI in the Movies
Paula Murphy
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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Poltergeist
Rob McLaughlin
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Anime : A History
Jonathan (Author/Scriptwriter, UK) Clements
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Textiles on Film
Becky (University of New Mexico, USA) Peterson
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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A Philosophy of Fashion Through Film : On the Body, Style, and Identity
Laura T. Di (William Paterson University, USA) Summa
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Cinematic Modernism and Contemporary Film : Aesthetics and Narrative in the International Art Film
Dr Howard (Queen Mary, University of London, UK) Finn
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Recontextualizing Indian Shakespeare Cinema in the West : Familiar Strangers
Varsha (New York University, London, UK) Panjwani
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Cinema in the Arab World : New Histories, New Approaches
Ifdal (Netherlands-Flemish Institute in Cairo, Egypt) Elsaket
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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Brazilian Cinema and the Aesthetics of Ruins
Guilherme (University of Westminster, London, UK) Carrera
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Cosmopolitan Cinema : Cross-cultural Encounters in East Asian Film
Felicia Chan
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Subjectivity and Decolonisation in the Post-Independence Novel and Film
Sarah Jilani
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Theatricality and the Arts : Film, Theatre, Art
Andrew Quick
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Ch?vez Heras
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