Hollywood Online : Internet Movie Marketing Before and After The Blair Witch Project
Dr. Ian (Independent Scholar, UK) London
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Quiet Pictures : Women and Silence in Contemporary British and French Cinema
Dr. Sarah (Edinburgh Napier University, UK) Artt
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Intimacy and the Anxieties of Cinematic Flesh : Between Phenomenology and Psychoanalysis
Professor Patrick Fuery
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The Myth of Harm : Horror, Censorship and the Child
Sarah Cleary
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The Prison of Time : Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Elisa Pezzotta
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The Cinematic Influence : Interaction and Exchange Between the Cinemas of France and Japan
Peter C. (University of Adelaide, Australia) Pugsley
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Art and the Historical Film : Between Realism and the Sublime
Dr Gillian McIver
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Reappraising Cult Horror Films : From Carnival of Souls to Last Night in Soho
Dr Lee (University of Leeds, UK) Broughton
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Ingmar Bergman at the Crossroads : Between Theory and Practice
Maaret Koskinen
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The Australian Film Revival : 1970s, 1980s, and Beyond
Susan (Loyola Marymount University, USA) Barber
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Horrifying Children : Hauntology and the Legacy of Children’s Television
Lauren (York St. John University, UK) Stephenson
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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Performing Chinatown : Hollywood, Tourism, and the Making of a Chinese American Community
William Gow
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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Performing Chinatown : Hollywood, Tourism, and the Making of a Chinese American Community
William Gow
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The Characters of Oz : Essays on Their Adaptation and Transformation
Dina Schiff Massachi
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The Genius of Barry Lyndon : Factual and Theoretical Approaches to Kubrick's Masterpiece
Patrick Webster
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Mapping Taiwanese Cinema, 200820 : Environments, Poetics, Practice
Christopher Brown
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