Blumhouse Productions : The New House of Horror
Todd K. Platts
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The Art and Inventions of Max Fleischer : American Animation Pioneer
Ray Pointer
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Gesture in French Post-New Wave Cinema
Francois Giraud
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Forms of Emotion : Human to Nonhuman in Drama, Theatre and Contemporary Performance
Peta Tait
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Lars von Trier's Cinema : Excess, Evil, and the Prophetic Voice
Rebecca Ver Straten-McSparran
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Blake Edwards : Film Director as Multitalented Auteur
William (St. Peter's College) Luhr
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The Warrior's Camera : The Cinema of Akira Kurosawa - Revised and Expanded Edition
Stephen Prince
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The Cinema of Federico Fellini
Peter Bondanella
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The Films of Peter Greenaway
Amy (Dartmouth College, Vermont) Lawrence
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Hitchcock's "Rear Window : The Well-Made Film
John Fawell
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Riefenstahl Screened : An Anthology of New Criticism
Neil Christian Pages
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The Hitchcock Romance : Love and Irony in Hitchcock's Films
Lesley Brill
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Two Bicycles : The Work of Jean-Luc Godard and Anne-Marie Mieville
Jerry White
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Hitchcock's America
Jonathan (Associate Professor of English and American Studie Freedman
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The Films of Carlos Saura : The Practice of Seeing
Marvin D'Lugo
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Conversations with Gus Van Sant
Mario Falsetto
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Reorienting Ozu : A Master and His Influence
Jinhee (Senior Lecturer in Film Studies, Senior Lecturer in Film Choi
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Reality Fictions : The Films of Frederick Wiseman
Thomas W. Benson
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Directors Close Up 2 : Interviews with Directors Nominated for Best Film by the Directors Guild of America: 2006 - 2012
Jeremy Kagan
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The Casablanca Man : The Cinema of Michael Curtiz
James C Robertson
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