The Routledge Companion to Asian Cinemas
Zhen (New York University, USA) Zhang
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The Language of Asian Gestures : Embodied Words Through the Lens of Film
Jieun Kiaer
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The Disaster Film as Social Practice
Joseph (Rhode Island College, United States of America) Zornado
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An Epistemology of Criminological Cinema
David (University of Rijeka, Croatia) Grcki
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Film, Form, and Culture
Robert P. (University of Maryland, USA) Kolker
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Critical Readings on Hammer Horror Films
Fernando Gabriel (Universidad de Buenos Aires, Argentin Pagnoni Berns
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Chinese Films Abroad : Distribution and Translation
Yves Gambier
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Textiles on Film
Becky (University of New Mexico, USA) Peterson
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Impossible Speech : The Politics of Representation in Contemporary Korean Literature and Film
Christopher Hanscom
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Through a Noir Lens : Adapting Film Noir Visual Style
Sheri Chinen Biesen
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My Affair with Art House Cinema : Essays and Reviews
Phillip Lopate
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New Israeli Horror : Local Cinema, Global Genre
Olga Gershenson
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The New Queer Gothic : Reading Queer Girls and Women in Contemporary Fiction and Film
Robyn Ollett
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Studies in Medievalism XXXIII : (En)gendering Medievalism
Karl (Author) Fugelso
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Violence Elsewhere 1 : Imagining Distant Violence in Germany 1945-2001
Dr Clare Bielby
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Transnational German Film at the End of Neoliberalism : Radical Aesthetics, Radical Politics
Professor Claudia Breger
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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Performing Chinatown : Hollywood, Tourism, and the Making of a Chinese American Community
William Gow
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