Chinese Emigre Composers and Divergent Modernisms : Chen Yi and Zhou Long
Mia (Curtis Institute of Music) Chung
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Out of the Blue : Life on the Road with Muddy Waters
Brian Bisesi
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Aqua's Aquarium
Dr. C.C. (Assistant Professor of History of Art, Bryn Mawr Coll McKee
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Composing for Silent Film
Jack Curtis Dubowsky
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Frank O. Etheridge : Musician of the African Diaspora
Ben Vinson III
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Paul Weller and Popular Music : Identity, Idiolect and Image
Andrew West
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Music in Profile : Twelve Performance Studies
John (Professor, Professor, University of Cambridge) Rink
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Pierre Boulez : The Formative Years
Joseph, Jr. (Associate Professor in Musicology, Associate Profe Salem
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Johann Sebastian Bach's Goldberg Variations Reimagined
Erinn E. (Associate Professor of Music History, Department of Mu Knyt
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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The Pastoral in Charles Griffes's Music : Aesthetic of Ambivalence
Taylor A. (Pennsylvania State University) Greer
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Clement Janequin : French Composer at the Dawn of Music Publishing
Dr Rolf Norsen
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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U2’s Songs of Trauma and Hope : “Between the Midnight and the Dawning”
Ingunn Røysland
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