Broadway Bodies : A Critical History of Conformity
Ryan (Assistant Professor of Theater Studies, Assistant Profe Donovan
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Erard : A Passion for the Piano
Robert (Professor of Organology and Music History, Professor Adelson
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Four Last Songs : Aging and Creativity in Verdi, Strauss, Messiaen, and Britten
Linda Hutcheon
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London Voices, 1820-1840 : Vocal Performers, Practices, Histories
Roger Parker
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Categorizing Sound : Genre and Twentieth-Century Popular Music
David Brackett
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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The Musical Language of Pierre Boulez : Writings and Compositions
Jonathan (University of Victoria, British Columbia) Goldman
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The Other Worlds of Hector Berlioz : Travels with the Orchestra
Inge (Victoria University of Wellington) van Rij
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John Cage and David Tudor : Correspondence on Interpretation and Performance
Martin (University of Leeds) Iddon
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The Cambridge History of Music Criticism
Christopher Dingle
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Transformations of Musical Modernism
Erling E. (Universitetet i Oslo) Guldbrandsen
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Music and the moderni, 1300-1350 : The ars nova in Theory and Practice
Karen (Brandeis University, Massachusetts) Desmond
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Playing the Cello, 1780-1930
George Kennaway
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Stocktakings : From an Apprenticeship
Pierre (, Director of IRCAM) Boulez
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Intents and Purposes : Philosophy and the Aesthetics of Improvisation
Eric Lewis
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Stravinsky in Context
Graham (City, University of London) Griffiths
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The Musical Tradition of the Eastern European Synagogue : Volume 3A: The Sabbath Eve Service
Sholom Kalib
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Listening Awry : Music And Alterity In German Culture
David Schwarz
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Filipinos Represent : DJs, Racial Authenticity, and the Hip-hop Nation
Antonio T. Tiongson Jr.
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