The Dead C’s Clyma est mort
Darren (Senior Lecturer, University of Western Australia, A Jorgensen
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Add to BasketNight Train to Nashville : The Greatest Untold Story of Music City
Paula Blackman
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Act Naturally : The Beatles on Film
Steve Matteo
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Add to BasketI Hate Old Music, Too : How Familiarity & Overuse Killed Our Favorite Music
Dave Thompson
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Add to Basket'70s Teen Pop
Lucretia Tye (Freelance writer, USA) Jasmine
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Add to BasketWagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Add to BasketKick Out the Jams : Jibes, Barbs, Tributes, and Rallying Cries from 35 Years of Music Writing
Dave Marsh
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Postgraduate Research in Music : A Step-by-Step Guide to Writing a Thesis
Victoria (Adjunct Associate Professor, Adjunct Associate Profe Rogers
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Sounds as They Are : The unwritten music in classical recordings
Richard (Assistant Professor of Music, Assistant Professor o Beaudoin
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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Music, Encounter, Togetherness
Nicholas (1684 Professor Emeritus, 1684 Professor Emeritus, Univ Cook
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Johann Sebastian Bach's Goldberg Variations Reimagined
Erinn E. (Associate Professor of Music History, Department of Mu Knyt
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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Why We Left : Untold Stories and Songs of America's First Immigrants
Joanna Brooks
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Amplifications of Black Sound from Colonial Mexico : Vocality and Beyond
Sarah Finley
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Three Great Epoch-Makers in Music
Edward Clarence Farnsworth
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Mozart : The Man and the Artist, as Revealed in His Own Words
Wolfgang Amadeus Mozart
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Leipzig. One Thousand Years of German History : Bach, Luther, Faust. The City of Books and Music
Sebastian Ringel
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The Alexander Scriabin Companion : History, Performance, and Lore
Lincoln Ballard
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