Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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The Pipe Organ : A Composer's Guide
James (Sub-Organist, Sub-Organist, Gloucester Cathedral) Mitchell
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Vaughan Williams and His World
Byron Adams
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Devotional Refrains in Medieval Latin Song
Mary Channen (University of Pennsylvania) Caldwell
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748–1858
Katherine Butler (King's College London) Schofield
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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Music and Victorian Liberalism : Composing the Liberal Subject
Sarah (University of Western Australia, Perth) Collins
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Music and Liturgy in Medieval Britain and Ireland
Ann (Trinity College Dublin) Buckley
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Beethoven's Symphonies Arranged for the Chamber : Sociability, Reception, and Canon Formation
Nancy (University of Auckland) November
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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The Ring of Words : An Anthology of Song Texts
Philip Lieson Miller
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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