Fixing the Musical : How Technologies Shaped the Broadway Repertory
Douglas L. (Lewis and Dorothy Cullman Curator, Lewis and Dorot Reside
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Performing Antiquity : Ancient Greek Music and Dance from Paris to Delphi, 1890-1930
Samuel N. (Assistant Professor of Musicology, Assistant Professo Dorf
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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From Biblical Book to Musical Megahit : William B. Bradbury's Esther, the Beautiful Queen
Juanita Karpf
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Tunes of the Times : An Exploration of Musical Films Through the Ages
Lance Brockovich
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Philosophy of Improvisation : Interdisciplinary Perspectives on Theory and Practice
Susanne Ravn
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Audience and Reception in the Early Modern Period
John R. (Pratt Institute, USA) Decker
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20 Seasons: Broadway Musicals of the 21st Century
Amy S. Osatinski
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Here for the Hearing : Analyzing the Music in Musical Theater
Michael Buchler
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Seriously Mad : Mental Distress and the Broadway Musical
Aleksei Grinenko
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Chu Chin Chow; a Musical Tale of the East
Frederic Norton
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The Enchanter; Or, Love and Magic : A Musical Drama. As It Is Performed at the Theatre-Royal in Drury-Lane
John Christopher Smith
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The Maid And The Mummy : A Musical Farce In Three Acts
Robert Hood Bowers
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The Jackdaw of Rheims : Legend by Richard Barham Set to Music for Chorus and Small Orchestra. Op. 8
William Henry Speer
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The Greatest of all Comic Opera Successes, Erminie, as Performed at the New York Casino Upward of 500 Nights, Under the Management of Rudolph Aronson
Harry Paulton
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Doctor Cupid : (L'Amore Medico): Musical Comedy in Two Acts
Ermanno Wolf-Ferrari
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The Toreador : An Entirely new and Original Musical Play in two Acts
Ivan Caryll
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Pandora : An Operetta In Three Acts
Nathaniel Hawthorne
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The Count Of Luxembourg : A New Musical Play In Two Acts
Franz Lehar
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Le Financier Et Le Savetier : Operette Bouffe En Un Acte...
Jacques Offenbach
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Rip Van Winkle : Folk-Opera in Three Acts
Percy Mackaye
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