Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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(How) Opera Works, (Hoe) opera werkt : Pierre Audi Lectures, Pierre Audi lezingen
Liesbeth Kruyt
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The Gilded Stage : A Social History of Opera
Daniel Snowman
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The Opera Lover’s Companion
Charles Osborne
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The Wagner Operas
Ernest Newman
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Opera: The Autobiography of the Western World (Illustrated Edition) : From theocratic absolutism to liberal democracy, in four centuries of music drama
Simon Banks
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Victory Over the Sun
Mikhail Matiushin
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John Piper, Myfanwy Piper : A Biography
Frances (Art historian, biographer, and critic; Professor of Spalding
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Black Opera : History, Power, Engagement
Naomi Andre
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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The Opera Singer's Acting Toolkit : An Essential Guide to Creating A Role
Martin Constantine
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The Cambridge Companion to Wagner's Der Ring des Nibelungen
Mark (Royal Holloway, University of London) Berry
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Storytelling in Opera and Musical Theater
Nina Penner
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Korngold and His World
Daniel Goldmark
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Understanding the Women of Mozart's Operas
Kristi Brown-Montesano
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Richard Wagner: Parsifal
Lucy Beckett
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