Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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The Performance of 16th-Century Music : Learning from the Theorists
Anne (Recorder and Renaissance Flute Instructor, Recorder and R Smith
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Music in the Medieval West
Margot (University of Notre Dame) Fassler
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Anthology for Music in the Medieval West
Margot (University of Notre Dame) Fassler
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The Renaissance Reform of Medieval Music Theory : Guido of Arezzo between Myth and History
Stefano (Dr, University of Michigan, Ann Arbor) Mengozzi
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Anthology for Music in the Renaissance
Richard (Haverford College) Freedman
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. (University Distinguished Professor of Musicology Atkinson
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Music in Welsh Culture Before 1650 : A Study of the Principal Sources
Sally Harper
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Late Medieval Liturgies Enacted : The Experience of Worship in Cathedral and Parish Church
Sally Harper
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Early English Viols: Instruments, Makers and Music
Michael Fleming
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Mensuration and Proportion Signs : Origins and Evolution
Anna Maria (Distinguished Professor of Music, Emeritus, Busse Berger
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With Passionate Voice : Re-Creative Singing in 16th-Century England and Italy
Robert (Professor, Professor, Western University) Toft
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The Science and Art of Renaissance Music
James Haar
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The Italian Madrigal : Volume III
Alfred Einstein
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The Carole: A Study of a Medieval Dance
Robert Mullally
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John Taverner : His Life and Music
Hugh Benham
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Music in the Collective Experience in Sixteenth-Century Milan
Christine Suzanne Getz
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Warrior, Courtier, Singer : Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance
Richard Wistreich
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The Sounds and Sights of Performance in Early Music : Essays in Honour of Timothy J. McGee
Maureen Epp
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