Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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dots on paper : Philip Glass by Andreas H. Bitesnich
Andreas H. Bitesnich
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Building Community Choirs in the Twenty-First Century : Re-imagining Identity through Singing in Northern Ireland
Sarah-Jane Gibson
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The Motet in the Late Middle Ages
Margaret Bent
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Violin Concerto ‘Concentric Paths’
Thomas Ades
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From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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The Oxford Handbook of the Phenomenology of Music Cultures
Harris M. (Canada Research Chair in Ethnomusicology and Direct Berger
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Bach's Art of Fugue and Musical Offering
Matthew (Professor of Music, Professor of Music, University of Dirst
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Paul Robeson's Voices
Grant (Music Historian and Lecturer, Music Historian and Lectu Olwage
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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