Woodstock University
Oliver (University of British Columbia, Canada) Lovesey
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Community-based Traditional Music in Scotland : A Pedagogy of Participation
Josephine L. Miller
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The Art of Populism in US Politics : Pro-Trump DIY Popular Culture
Justin (Vassar College, USA) Patch
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Women in Vinyl : The Art of Making Vinyl
Jenn D’Eugenio
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Paul Weller and Popular Music : Identity, Idiolect and Image
Andrew West
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Embodied Research Through Music Composition and Evocative Life-Writing : Disrupting Diaspora
Soosan Lolavar
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Gritty City : An Oral History of Winnipeg Hip-Hop Music: 1980-2005
Nigel Webber
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Gritty City : An Oral History of Winnipeg Hip-Hop Music: 1980-2005
Nigel Webber
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Music and Victorian Liberalism : Composing the Liberal Subject
Sarah (University of Western Australia, Perth) Collins
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Music and Liturgy in Medieval Britain and Ireland
Ann (Trinity College Dublin) Buckley
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Benjamin Britten in Context
Vicki P (Marshall University, West Virginia) Stroeher
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The Cambridge Companion to West Side Story
Paul R. (University of Kansas) Laird
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Italian Opera in Global and Transnational Perspective : Reimagining Italianita in the Long Nineteenth Century
Axel (University College London) Korner
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Beethoven's Symphonies Arranged for the Chamber : Sociability, Reception, and Canon Formation
Nancy (University of Auckland) November
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Whose Country Music? : Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture
Paula J. Bishop
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Amplifications of Black Sound from Colonial Mexico : Vocality and Beyond
Sarah Finley
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Devotional Refrains in Medieval Latin Song
Mary Channen (University of Pennsylvania) Caldwell
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748–1858
Katherine Butler (King's College London) Schofield
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