Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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The Oxford History of Western Music: Music in the Seventeenth and Eighteenth Centuries
Richard (Professor of musicology, Professor of musicology, U Taruskin
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The Early Flute : A Practical Guide
Rachel (London Guildhall University) Brown
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The Organ Music of J. S. Bach
Peter Williams
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Bach's St. Matthew Passion : A Closer Look
Victor Lederer
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Method for the One-Keyed Flute
Janice Dockendorff Boland
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Bach's Musical Universe : The Composer and His Work
Christoph (Harvard University) Wolff
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George Frideric Handel : A Life with Friends
Ellen T. Harris
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Exploring the World of J. S. Bach : A Traveler's Guide
Robert L. Marshall
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The Keyboard Music of J.S. Bach
David Schulenberg
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Bach Transcriptions for Piano : Twentieth-century arrangements from choral and instrumental works
Johann Sebastian Bach
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Antonio Vivaldi : The Red Priest of Venice
Karl Heller
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Bach & God
Michael (Professor of Music, Emeritus, Professor of Music, E Marissen
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The String Quartets of Joseph Haydn
Floyd (, Music Department at Rutgers University) Grave
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The Pathetick Musician : Moving an Audience in the Age of Eloquence
Bruce (Former Associate Professor of Music, Former Associate P Haynes
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Listening to Handel : An Owner's Manual
David Hurwitz
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676–1820
Simon D.I. Fleming
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Dynamics of Harmony : Principles and Practice
George (Emeritus Professor of Music, Emeritus Professor of Musi Pratt
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