Picture a day like this (Limited Edition Full Score)
George Benjamin
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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From Broadway to The Bronx : New York City’s History through Song
Veronika Keller
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Gerald Finzi's Letters, 1915-1956
Diana McVeagh
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Rachmaninoff: Composer, Pianist, Conductor
Barrie Martyn
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Literary Britten : Words and Music in Benjamin Britten's Vocal Works
Kate Kennedy
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Demystifying Scriabin
Vasilis Kallis
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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Messiaen in Context
Robert (Royal Academy of Music and University of West London) Sholl
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Aaron Copland in Latin America : Music and Cultural Politics
Carol A. Hess
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Gerard Grisey and Spectral Music : Composition in the Information Age
Liam (BIMM University) Cagney
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Margaret Bonds: The Montgomery Variations and Du Bois Credo
John Michael (Southwestern University, Texas) Cooper
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Schoenberg: ‘Night Music' – Verklarte Nacht and Erwartung
Arnold (Emeritus, King's College London) Whittall
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